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	<title>Creative Pen &#187; Clive Owen</title>
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		<title>Duplicity: Film Review</title>
		<link>http://creativepen.co.uk/2010/02/05/duplicity-the-review/</link>
		<comments>http://creativepen.co.uk/2010/02/05/duplicity-the-review/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 21:28:15 +0000</pubDate>
		<dc:creator>Anthony</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Clive Owen]]></category>
		<category><![CDATA[dramedy]]></category>
		<category><![CDATA[Duplicity]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Julia Roberts]]></category>
		<category><![CDATA[romantic comedy]]></category>
		<category><![CDATA[Tony Gilroy]]></category>

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		<description><![CDATA[Back in 2007 director Tony Gilroy delivered one of the year’s best films in Michael Clayton. Fast forward 24 months and we find the writer/director back on similar territory with his stylish follow-up, Duplicity.
The movie is aptly titled given that things are never quite what they seem. And like the two central characters – played [...]]]></description>
			<content:encoded><![CDATA[<p><a  href="http://creativepen.co.uk/wp-content/uploads/2010/02/dup-1.jpg" class="thickbox no_icon" rel="gallery-879" title="dup 1"><img class="alignright size-thumbnail wp-image-880" title="dup 1" src="http://creativepen.co.uk/wp-content/uploads/2010/02/dup-1-150x150.jpg" alt="dup 1" width="150" height="150" /></a>Back in 2007 director Tony Gilroy delivered one of the year’s best films in <em>Michael Clayton</em>. Fast forward 24 months and we find the writer/director back on similar territory with his stylish follow-up, <em>Duplicity</em>.</p>
<p>The movie is aptly titled given that things are never quite what they seem.<span id="more-879"></span> And like the two central characters – played with aplomb by Clive Owen and Julia Roberts – the audience is constantly kept on its feet in a world of double-crosses.</p>
<p>As good as <em>Clayton</em>? Nah. Better than <em>Transformers 2</em>? Does the Pope like biscuits?</p>
<h1><em>Everybody does…</em></h1>
<p><a  href="http://creativepen.co.uk/wp-content/uploads/2010/02/dup3.jpg" class="thickbox no_icon" rel="gallery-879" title="dup3"><img class="alignleft size-medium wp-image-881" title="dup3" src="http://creativepen.co.uk/wp-content/uploads/2010/02/dup3-200x300.jpg" alt="dup3" width="200" height="300" /></a>In a nutshell Gilroy shifts the action from the seedy legal underbelly of <em>Michael Clayton</em> to the slimy world of corporate espionage.</p>
<p>But unlike the ruthless depiction of America’s legal elite in <em>Clayton</em>, Gilroy adopts a more playful approach with <em>Duplicity</em>.</p>
<p>Sure, it doesn’t paint a pretty picture of corporate America, but <em>Duplicity </em>throws out more one-liners than a cracked-up Scrabble player.</p>
<p>Roberts and Owen revel in their roles as corporate operatives who join forces to pull off the biggest heist of their careers. Tension ensues as the ultimate game of cat-and-mouse descends into one double cross after another.</p>
<p>And the slick dialogue – which at times resembles verbal tennis – meshes well with a plot full of twists and turns.</p>
<h1><em>Looks and brains…?</em></h1>
<p><em><a  href="http://creativepen.co.uk/wp-content/uploads/2010/02/dup41.jpg" class="thickbox no_icon" rel="gallery-879" title="dup4"><img class="alignright size-medium wp-image-893" title="dup4" src="http://creativepen.co.uk/wp-content/uploads/2010/02/dup41-203x300.jpg" alt="dup4" width="203" height="300" /></a>Duplicity </em>opens with a gloriously unusual slow motion fight between corporate tycoons Paul Giamatti and Tom Wilkinson. Stylistically it bears no resemblence to the slick cinematography that follows. But as a set piece I found this daringly unusual intro genuinely funny.</p>
<p>The 24-esque split screen interludes were less appealing but nonetheless served to underscore the movie’s spy-like credentials.</p>
<p>At a running time of 125 minutes, <em>Duplicity </em>loses some of its sizzle in the third act as the intricate plot unravels, but the anticlimactic pay-off is worth it. At least, I thought so.</p>
<p>I’m a big fan of film noir and would cite classics such as <em>The Big Sleep</em> and <em>Chinatown </em>among my all time favourites.</p>
<p>And while <em>Duplicity </em>fails to reach the creative heights of such masterpieces, it oozes dialogue capable of rivalling landmark films.</p>
<p>Sleek, sexy, and smart&#8230;. and I’m not just talking about Julia Roberts.</p>
<p><strong>Rating:</strong> 3.5 out of 5 stars &#8211; available on Blu-ray and DVD</p>
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